![]() The macuahuitl is not specifically a sword or a club, although it approximates a European broadsword. These could be knapped into blades or spikes, or into a circular design that looked like scales. It was capable of inflicting serious lacerations from the rows of obsidian blades embedded in its sides. Its sides are embedded with prismatic blades traditionally made from obsidian (volcanic glass) obsidian is capable of producing an edge sharper than high-quality steel razor blades. Other military equipment recorded includes the round shield ( chīmalli, ), the bow ( tlahuītōlli, ), and the spear-thrower ( ahtlatl, ). It was noted during the 16th-century Spanish conquest of the region. The maquahuitl ( Classical Nahuatl: māccuahuitl, other orthographic variants include mākkwawitl and mācquahuitl plural māccuahuimeh), a type of macana, was a common weapon used by the Aztec military forces and other cultures of central Mexico. The original specimen was destroyed by a fire in 1884. The oldest replica is the macuahuitl created by the medievalist Achille Jubinal in the 19th century.Ī drawing from the Catalog of the Royal Armoury of Madrid by the medievalist Achille Jubinal in the 19th century. Images of the original designs survive in diverse catalogues. One example of this weapon survived the Conquest of the Aztec Empire it was part of the Royal Armoury of Madrid until it was destroyed by a fire in 1884. The weapon was used by different civilisations including the Aztec (Mexicas), Olmec, Maya, Mixtec, Toltec, and Tarascans. By the time of the Spanish conquest the macuahuitl was widely distributed in Mesoamerica. Use of the macuahuitl as a weapon is attested from the first millennium CE, although specimens can be found in art dating to at least pre-classic times. The macuahuitl was a standard close combat weapon. Obsidian is capable of producing an edge sharper than high quality steel razor blades. Its sides are embedded with prismatic blades traditionally made from obsidian. The name is derived from the Nahuatl language and means "hand-wood". Mesoamerican civilizations, including AztecsĪ macuahuitl ( ) is a weapon, a wooden club with several embedded obsidian blades. Maybe swapping out the crunchy options for a couple more acoustic models would have made it even more useful, but this remains an appealing six-string multi-tool and a genuine problem-solver for many gigging players.A modern recreation of two ceremonial macuahuitl based on codices.įormative stage to Post-Classic stage (900 BCE–AD 1570) “The launch of the Acoustasonic Player Telecaster feels like a no-brainer move for Fender, spreading the potential appeal of what is virtually a whole new category of guitar. The feel of the bevelled arm rest and fingerboard edges says quality and comfort this is an inviting guitar and that Modern Deep-C neck will feel familiar to anyone who has played the electric Player series models.” A lovely dark rosewood fingerboard and bridge replaces the US version’s ebony, but that’s not anissue for us. “In terms of feel and build, we honestly can’t find a compromise between this Ensenada-made Player and the US Acoustasonics we’ve tried. MusicRadar: The onboard voice options might have been scaled down but the Acoustasonic Telecaster sticks the landing as a Player Series model, in what could be one of the guitars to make the hybrid build truly go mainstream.įender Player Series Acoustasonic Telecaster: The web says That, in sum, is the sort of thing the Acoustasonic format encourages. That said, it can be pressed into service of many different kinds of styles, perhaps some that are all your own. It is warmer, with a little more width than you’d expect from a Tele’s bridge pickup. Fender promises twang but this isn’t Pete Anderson levels of twang. Park yourself on position one for a more traditional electric guitar experience, but don’t necessarily expect a traditional Telecaster experience. In a sense, this is a sound that almost exists outside of the spectrum of acoustic/electric tones, and is sure to support pedalboard experimentation. The sound is just coming from the piezo and as you turn the blend control it adds drive. Here is where the true hybrid tones are, and as such, there are fewer references for what we are hearing.
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